“I’m 15 months away from being 100, so listen carefully,” said Joan Kron, now 98 years young. “Apparently you’re all here because you’ve heard about my latest book, “The Renegade Housewives of Pop Art: A Memoir of the 1960s,” which Suzy Slesin forced me to write. So far as I’m concerned, it’s the book of the year.”
Over 100 friends and admirers came to see Kron, crowding into the art-filled triplex of LaVon Kellner, hosted by her son, Daniel Kron, and stepson, Jonathan Marder, as well as Pointed Leaf Press publisher Suzanne Slesin.
In the 1960s, Joan Kron and Audrey Sabol made history, collaborating with an emerging group of artists—Jim Dine, Jasper Johns, Allan Kaprow, Claes Oldenburg, Robert Rauschenberg, Ed Ruscha, George Segal, Jean Tinguely and Andy Warhol, to name a few. In 1962, Kron and Sabol presented the first group show of Pop Art on the East Coast. They also went into business, producing multiples with Robert Indiana, Roy Lichtenstein and Marisol Escobar. Sabol and Kron’s swan song was the Museum of Merchandise. It had a storefront by an unknown named Christo and a trouble-making product for sale by rising star Andy Warhol.
Joan Kron was born and raised in New York City. She graduated in costume design from the Yale School of Drama—now the David Geffen School of Drama at Yale—before moving to Philadelphia. As a founding member and head of the YM/YWHA Arts Council, she co-produced several Pop Art exhibitions. In her 40s, she wrote for Philadelphia magazine, New York Magazine and The New York Times, later joining The Wall Street Journal, where she initiated the fashion beat. She served as editor-in-chief of Avenue magazine, before joining Conde Nast’s Allure, where she created the plastic-surgery beat. She went on to produce and direct the prize-winning documentary film “Take My Nose… Please!” She is the author of books including “High-Tech: the Industrial Style and Source Book for the Home” with Suzanne Slesin (Clarkson Potter, 1978) and “Home-Psych: The Social Psychology of Home and Decoration” (Clarkson Potter, 1983). Currently, she lives in Miami, Florida, and is at work on her second film, “Weapon of Beauty: The Cloak and Dagger History of Botox.”
At her book party Kron’s friends included Teri Agins and J. Paul Hands, Steven M.L. Aronson, Jeffrey Banks, Bina and Walter Bernard, Myrna Blyth, Michele Oka and Fred Doner, RoseLee Goldberg, Dakota Jackson, Andrew Hawkins, Phoebe Hoban, Jackie Hoffman, Michéle Gerber Klein, Leigh Seippel, W. Wilder Knight II, Helen Little, Fern Mallis, Gillian McCain and Jim Marshall, Liane Pei, Virginia and Steve Postrel, Pascale Richard, Jeff Roth, Susan Roy, Dan Shaw, Barbara Tober, Désirée von la Valette and Saundra Whitney.
The Renegade Housewives of Pop Art, published by Pointed Leaf Press, can be pre-ordered at pointedleafpress.com/order/the-renegade-housewives-of-pop-art-a-memoir-of-the-1960s.

Photo courtesy of Sean Zanni

Frederico Farina, Gianni Brito, Maisie McDermid, Daniel Kron

Photo courtesy of Sean Zanni


