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A Singular Masterpiece at TEFAF New York Spring

As a unique Art Fair exhibition concept, Galerie Gmurzynska will present at this year’s TEFAF at the Park Avenue Armory in New York, a single Masterpiece of enormous scale and seminal historic importance. The ) 30.5-by-42.7-foot painting was created for the world’s most famous ballet company of all times, Diaghilev’s Ballets Russes, and was presented 105 years ago in Paris and London only weeks before the outbreak of World War I. Le Coq d’Or was one of the last productions of Sergei Diaghilev.

Natalia Goncharova, Paysan russe, dans un Costume de Fête, 1914

As at the Royal Albert Hall in 2005, the work will be suspended from the ceiling of the great hall of the Park Avenue Armory and will be accompanied by a special exhibition stand (designed by the famed designer Tom Postma) at the entrance to the fair.

Natalia Goncharova’s backdrop is the only surviving large scale painting from this Diaghilev production but also one of very few important large scale backdrop paintings, such as Picasso’s stage cloth for Diaghilev’s Le Train Bleu from 1924, today in the collection of the Victoria & Albert Museum in London.

Le Coq d’Or was sold in 1968 at the famed Diaghilev Sale at Sotheby’s London, and has since been shown at the State Russian Museum in St. Petersburg, the Royal Albert Hall in London, and the MART Museum with a Skira publication entitled The Dance of the Avant-Gardes, paintings, scenes and costumes from Degas to Picasso, to Matisse to Keith Haring.

The presentation at TEFAF coincides with a strong renewed interest in the work of Natalia Goncharova, with a major retrospective of the artist set to open at the TateModern in London in June with a room dedicated to Goncharova and Diaghilev’s Ballets Russes including designs for Le Coq d’Or. It is also noteworthy that a 1916 painting by Goncharova was recently sold at Christie’s London for over $8 million.

Mikhail Larionov and Natalia Goncharova in her studio working on the Coq d’Or, 1914

Coq d’Or will be accompanied by an in-depth Galerie Gmurzynska publication, with historic photographs and texts by renowned scholars such as John Bowlt and Germano Celant, as well as documentary film material.

The documentation will include two original drawings. A portrait of Natalia Goncharova by her husband, Mikhail Larionov, and a Costume Design by Goncharova for Le Coqd’Or.